Piano Concerto No. 3 (Tchaikovsky), Third Piano Concerto
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Piano Concerto No. 3 (Tchaikovsky), Third Piano Concerto
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers: * Piano Concerto No. 3 (Balada), by Leonardo Balada, 1899 *Piano Concerto No. 3 (Bartók) in E major (Sz. 119, BB 127) by Béla Bartók, 1945 * Piano Concerto No. 3 (Beethoven) in C minor (Op. 37), c.1800 * Piano Concerto No. 3 (Chopin) (''Allegro de concert''), 1841 * Piano Concerto No. 3 (Hummel) in B minor (Op. 89), 1819 *Piano Concerto No. 3 (Kabalevsky) in D major (Op. 50, ''Youth'') by Dmitri Kabalevsky, 1952 * Piano Concerto No. 3 (Lieberson), by Peter Lieberson, 2003 * Piano Concerto No. 3 (Liszt) in E-flat major (Op. posth., S.125a), c.1839 *Piano Concerto No. 3 (MacMillan), (''The Mysteries of Light'') by James MacMillan, 2008 * Piano Concerto No. 3 (Medtner) in E minor (Op. 60, ''Ballade''), by Nikolai Medtner, 1943 * Piano Concerto No. 3 (Mozart) in D major (K.40), by Wolfgang Amadeus Mozart, c.1772 * Piano Concerto No. 3 (Ohzawa) in A-flat major (''Kamikaze'') by Hisato Ohzaw ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ...
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